Partner Assurance La Louviere – View of the Aviation Square with La Prévoyance Sociale in the background (Coll. Belfius Bank – Royal Academy of Belgium © ARB –urban.brussels, DE30_142)
Square de l’Aviation 29-33, La Prévoyance Sociale, Lambert Crickx street side elevation, bay on the right, (© ARCHistory, 2019)
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Square de l’Aviation 29-33, La Prévoyance Sociale, renovation, second, third and fourth floor plan, ACA/Urb. 24464 (01.03.1932)
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Former Cooperative Insurance Company La Prévoyance SocialeSquare de l’Aviation 29-31-33 Rue Lambert Crickx 2 See lift description at lifts.heritage.brussels
Administrative Building in Art Nouveau style Art Nouveau (c. 1893-1914). It was an international movement with strong local differences, a reaction to “new” styles. In Belgium, this movement experienced two trends: on the one hand, under the auspices of Victor Horta, the “floral” Art Nouveau style of organic lines appeared; Under the auspices of the tower, the “floral” Art Nouveau style of organic lines appeared. Geometric Art Nouveau, on the other hand, was influenced by the art of Paul Hankar or Vienna Art Nouveau. The building was constructed between 1912 and 1927 to plans by architect Richard Pringiers and between 1931 and 1932 by architects Fernando Brunfaut and Maxime Maxime Brunfaut expanded and renovated the building according to a modernist aesthetic and added a rear warehouse tower. In the period 1998-2004, a major restoration and reconstruction movement took place (Coparch-RU Architects).
In 1931, the same Brunfauts built two modernist apartment buildings for the same company behind its headquarters (see No. 17).
History Sociálna poisťowňa was founded in 1907 as a popular cooperative life insurance company relying on the Belgian Workers’ Party and quickly achieved success. In 1911 she commissioned architect Richard Pringiers to build her a prestigious multifunctional building on a terraced plot on the newly created axis of Námestia letectva, ensuring maximum visibility. The scheme combines shops, offices and housing, with the company occupying only the first floor. It is in the Art Nouveau style (from about 1893 to 1914). It was an international movement with strong local differences, a reaction to “new” styles. In Belgium, this movement experienced two trends: on the one hand, under the auspices of Victor Horta, the “floral” Art Nouveau style of organic lines appeared; Under the auspices of the tower, the “floral” Art Nouveau style of organic lines appeared. Geometric Art Nouveau, on the other hand, was influenced by the art of Paul Hankar or Vienna Art Nouveau. The project was designed by Pringiers, a former assistant to Victor Horta. In 1927 he extended the building on the Lambert Creek Street side to include a garage, porters’ quarters and office extensions.
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In 1930, Société d’Insurance was riding a wave and commissioned architect and Socialist MP Fernand Brunfaut and his son Maxim to implement an ambitious expansion and modernization program. First, the company requested the construction of two apartment buildings for civil servants and employees, as well as a commercial floor above its Coupure de la Petite Senne, behind its headquarters along rue Autonomous and rue Lambert-Crix. A modernist tower was also subsequently built inside the block between these two buildings and behind the Pringier building, which served as a warehouse to serve the various cooperatives of the socialist movement. Both projects were completed in 1933.
Finally, after Pringiers career exit, Brunfauts was also responsible for its Update 1. glazed openings in joinery or coves; 2. voids around which certain spiral staircases develop. An additional floor will be added to the headquarters of the Social Insurance Company. The overall outline and exterior decoration were retained, while the central floor plan was crowned with a dome. It can be round, oval, polygonal, ribbed, semicircular, lowered, raised, etc. The corners were replaced under new simulated floors. However, the first two levels and part of the third level were strongly modernizing and gave modernism an important place. Modernism (since the 1920s) is an international movement that advocates function over form. It is characterized by the use of basic geometric volumes, flat roofs, strip windows and modern materials such as reinforced concrete. and insert the style.
In 1933, the first floor of the warehouse tower was connected to the main building via a pedestrian bridge.
The Social Security agency left the building in 1957. Between 1998 and 2004, an extensive restoration campaign was carried out to return the building to its 1933 condition.
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Description Main building exterior The building has a trapezoidal shape and is built mainly of light Silesian bricks and bluestone. It has seven floors, the second floor is on the mezzanine and the last two floors are on the half floor. Roof with three gables Gable roof. V-shaped stone slabs frame a small triangular platform and are placed on another lower terrace. Large dome A roof with a continuous or sloping slope in the center, curved into a quarter-circle or oval shape. Hexagonal metal with a drum attached to the engine shaft, this is a grooved drum around which the cab traction rope and counterweight are wound and unwound. Glaze covers the front wings. Behind the axis, a staircase emerges from the work beneath the flat roof. On the Rue Crickx side, a 1927 extension of the same height is covered in the same way.
The front facade aligns three areas1. Vertical divisions of ridges, consisting of the superposition of real or pretended openings. 2. In plan, a bay is the space between two rows of supports arranged perpendicular to the elevation. There are also five side ones, four of which are double-storey, and the last is narrow, on Cricks Street, with a secondary entrance. Span 1. A vertical division of a facade consisting of the superposition of real or imaginary openings. 2. In plan, a bay is the space between two rows of supports arranged perpendicular to the elevation. Triple indicates expansion. On the five middle floors, in addition to the second front facade, narrow niches define the rizalities1. Vertical divisions of ridges, consisting of the superposition of real or pretended openings. 2. In plan, a bay is the space between two rows of supports arranged perpendicular to the elevation. Flat vertical elements projecting in the manner of pilasters, evoking supports (recessed columns). It can be equipped with base and awning. Massive or crossed, with tumbled stone base and crown. A bay opening, usually a door or window, made from part of a wall and its frame. Those still original, as well as those of the last imitation layer of 1931-1932, have arches. The structure is equipped with a roof that curves according to the given profile. Basket Handle When an element is bent into a semi-oval shape, the element is called a basket handle. The pebbles on the pillow create shaped protrusions in the lining of the bay. They are located in the upper part of the door frame with a lintel or arch. configuration file. The mezzanine window at the front is part of a cellar made entirely of modified stone, with triangular or curved gables, tympanums and molded frames formed by cornices. The central one, originally rose from below. Elsewhere on the floor is a brick frame topped with stone. The horizontal parts of the columns are connected by chains and reinforced by additional chains at the level of the parapet. The portion of wall located below the parapet. An arched table is a table placed under a window sill. . The arches coordinate the covering structure, curving according to the given contour. The fifth floor and the annex mezzanine are bounded by inverted and connected arches. Height The proportion of one of the vertical walls of a building. Depending on the extension, the front of a building or all its fronts. A series of balconies on the consoles also make them dynamic. A console is a piece of stone, wood or metal that is partially embedded in the wall and supports a suspended element. The console differs from the console in that it is larger in size and fits roughly into a right triangle. Cantilever also refers to a non-load-bearing element, but is formally related to a cantilever. Carved, single or paired, fenced structure with balustrades, enclosed balconies, terraces, floor-to-ceiling windows, elevator shafts… Cast iron: from the third to the fifth floor from the front and from the side to the fourth and fifth floors layer.
Architecture should also be a brand. In the upper part of the front facade, in a beautifully shaped stone frame with the date “1912”, the name of the cooperative is displayed, outlined in colorful graffiti and interrupted by a clock face. Different departments can read in tables small decorative planes, square or rectangular. In woodworking we will more easily use the term “panel”. Match the notches to match the parapet, placing part of the wall under the parapet. An arched table is a table placed under a window sill. Level 3: “Insurance”, “Life Fire”, “Life Annuity”, “Accident”, “Mortgage”. The central window of the front mezzanine is blocked by a white stone bas-relief by Dolf Ledel, which depicts a man holding a shield protecting women and children from falling, with a hanging bouquet of flowers or fruit . Stone.
Brenford’s modernist intervention on the first three floors of the main body deeply marks the building but at the same time respects the rhythm of the bay. The first floor is lined with textured blue marble veneer, beneath a band of washed terrazzo concealing reinforced concrete, and has a triple entrance porch to the front with polished granite columns, including a paved concrete shelter. Blue homes have three thin openings, usually doors or. window,
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